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The New Yorker Cover - June 30, 1975

  by Ronald Searle Item #: 8481660
The New Yorker Cover - June 30, 1975 Premium Giclee Print
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  by Ronald Searle   Item #: 8481660
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Searle was born in Cambridge, England, where his father was a porter at Cambridge Railway Station. He started drawing at the age of five and left school at the age of 15. He trained at Cambridge College of Arts and Technology (now Anglia Ruskin University) for two years. In April 1939, realizing that war was inevitable, he abandoned his art studies to enlist in the Royal Engineers. In January 1942, he was stationed in Singapore. After a month of fighting in Malaya, Singapore fell to the Japanese, and he was taken prisoner along with his cousin Tom Fordham Searle. He spent the rest of the war a prisoner, first in Changi Prison and then in the Kwai jungle, working on the Siam-Burma Death Railway. Searle contracted both beri-beri and malaria during his incarceration, which included numerous beatings, and his weight dropped to less than 40 kilograms. He was liberated in late 1945 with the final defeat of the Japanese. He married the journalist Kaye Webb in 1947; they had twins, Kate and Johnny. In 1961, he moved to Paris, leaving his family and later marrying Monica Koenig, a painter, theatre and jewellery designer. After 1975, Searle and his wife lived and worked in the mountains of Haute Provence. Searle died on 30 December 2011, aged 91.
Published June 30, 1975

A fat cat comfortably relaxes in a hammock on a nice summer day.

For original art inquiries, please call 212-286-7133 or email originalart@newyorkerstore.com.

The premium giclée print is produced on thick (310 gsm), textured watercolor paper made from alpha cellulous wood pulp that is acid free. It shares the same vivid colors, accuracy, and exceptional resolution that make giclée prints the standard for museums and galleries around the world.

The premium photographic print is digitally printed on high-gloss premium photographic paper. The result is a unique silver pearlescent finish with stunning visual impact and depth, suitable for museum or gallery display.

The stretched canvas print is the result of sophisticated digital printing technology in which the image is printed directly onto an artist-grade, 100% cotton canvas. The canvas is then expertly stretched around 1.5" wooden bars and carefully finished with hand-painted edges. An acrylic coating protects the stunning giclée print from dust, moisture and fading. (Canvas may not be available for all prints.)
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