Lee Lorenz has contributed to The New Yorker as a freelance and staff cartoonist, as the magazine's art editor from 1973 to 1993, and as its cartoon editor from 1993 to 1997. He is the author of several cartoon collections and the editor of the Essential Cartoonists Library series. Lorenz lives in a rustic corner of Connecticut known for its falling water table, rising taxes, and abundance of deer ticks, and ventures into the city once a week to play in his jazz band.
Published May 28, 1990
"Oh, Lord! Here comes that common garden pest again!"
One flower to another.
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The premium giclée print is produced on thick (310 gsm), textured watercolor paper made from alpha cellulous wood pulp that is acid free. It shares the same vivid colors, accuracy, and exceptional resolution that make giclée prints the standard for museums and galleries around the world.
The premium photographic print is digitally printed on high-gloss premium photographic paper. The result is a unique silver pearlescent finish with stunning visual impact and depth, suitable for museum or gallery display.
The stretched canvas print is the result of sophisticated digital printing technology in which the image is printed directly onto an artist-grade, 100% cotton canvas. The canvas is then expertly stretched around 1.5" wooden bars and carefully finished with hand-painted edges. An acrylic coating protects the stunning giclée print from dust, moisture and fading. (Canvas may not be available for all prints.)