Christopher Weyant has been a cartoonist for The New Yorker since 1998. His cartoons have also appeared in such publications as Barron’s, The Wall Street Journal, and The San Francisco Examiner, and he regularly contributes to Politico.com. Originally from New Jersey, he now lives in Los Angeles with his wife and daughter.
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Published March 5, 2012
"No one attacks quite like the French."
Two guards talk to each other as a giant room service cart with food on top rests outside the gate of their castle.
The premium giclée print is produced on thick (310 gsm), textured watercolor paper made from alpha cellulous wood pulp that is acid free. It shares the same vivid colors, accuracy, and exceptional resolution that make giclée prints the standard for museums and galleries around the world.
The premium photographic print is digitally printed on high-gloss premium photographic paper. The result is a unique silver pearlescent finish with stunning visual impact and depth, suitable for museum or gallery display.
The stretched canvas print is the result of sophisticated digital printing technology in which the image is printed directly onto an artist-grade, 100% cotton canvas. The canvas is then expertly stretched around 1.5" wooden bars and carefully finished with hand-painted edges. An acrylic coating protects the stunning giclée print from dust, moisture and fading. (Canvas may not be available for all prints.)