Robert Weber was born in Los Angeles in 1924. He is a World War II veteran and a graduate of the Pratt Institute, and has been contributing to The New Yorker since 1962. He is also known for his custom illustration work, which has appeared in advertising and editorial media for a range of clients. Weber lives with his wife in Connecticut.
Published April 25, 1988
"I'm back. The Brie's not ripe."
One mouse to another.
For original art inquiries, please call 212-286-7133 or email originalart@newyorkerstore.com.
The premium giclée print is produced on thick (310 gsm), textured watercolor paper made from alpha cellulous wood pulp that is acid free. It shares the same vivid colors, accuracy, and exceptional resolution that make giclée prints the standard for museums and galleries around the world.
The premium photographic print is digitally printed on high-gloss premium photographic paper. The result is a unique silver pearlescent finish with stunning visual impact and depth, suitable for museum or gallery display.
The stretched canvas print is the result of sophisticated digital printing technology in which the image is printed directly onto an artist-grade, 100% cotton canvas. The canvas is then expertly stretched around 1.5" wooden bars and carefully finished with hand-painted edges. An acrylic coating protects the stunning giclée print from dust, moisture and fading. (Canvas may not be available for all prints.)
